Read from: UNDERPASS
Writer: Gerry Alanguilan
Artist: Gerry Alanguilan
The graphic anthology UNDERPASS starts with an eight-page story (nine if you count the "cover") from Gerry Alanguilan tackling one man's intriguing journey that begins when he serendipitously finds a sim card while riding a jeepney. Burning with curiosity, the guy inserts the sim into his cell phone and immediately gets a distressed call from a woman. The man (obviously with nothing much to do) goes on a wild goose chase trying to find this woman whom he believes is "hot". There is also an ominous "picture" viewable from the cellphone that gets clearer as the man nears his journey's end. Since this is a horror-centric graphic anthology it's disclosed in the end that the woman has long been dead, that the guy trying to find her resembles her ex-boyfriend, and that the picture getting clearer is actually the man lying in a pool of blood. In horror, the guy tries to run away from his assumed fate and gets hit by a jeepney in the process. His cellphone gets shattered and the story ends with a cliffhanger notion of another guy finding the "cursed" sim.
A couple of nitpicks with the story: Can you actually store photos in sim cards? if not, then where did the picture come from? Also, this guy must really be desperate. Being obsessed is one thing but wasting a whole day just trying to find someone leaving cryptic phone calls? Don't get me wrong, the story fits the whole horror genre to a T but it's just a problem of mine when I get jarred away from the story with these small details.
Art wise, the style is the same as what you can expect from a Gerry Alanguilan comic. From his art work on Timawa to Elmer to Humanis Rex and even bits and pieces from Wasted, you can see it all here. However, I do have a comment with the over all coloring done here. One of the benefits of actually using color in comics is that areas of interest or places where you want to lead the reader's eyes can be emphasized. However, in this comic the coloring was just flat. It's like the hand and the cellphone and the background is all in one plane. You really don't need to use grads or airbrush effects to highlight areas of interest within a panel. Even with a flat coloring style you could still lead the reader's eyes but you will have to adjust the tint / shade / tone of other areas accordingly. This comes as a nitpick actually because the coloring can be attributed to the artist's over all style. However, I'm just pointing out that colored comics made in the Philippines are few and far between and any comics released in color should at least try to make use of the full benefit of coloring.
Overall, "Sim" does not disappoint. With an easy to follow art style and a story that draws you in until the end, it's a pretty solid start for the UNDERPASS graphic anthology. This story is a definite plus to the whole is-it-worth-buying category. Hopefully the other stories do not disappoint.